{"id":7621,"date":"2024-10-20T20:10:29","date_gmt":"2024-10-20T18:10:29","guid":{"rendered":"https:\/\/www.annapirozzi.com\/en\/?p=7621"},"modified":"2024-10-20T20:10:29","modified_gmt":"2024-10-20T18:10:29","slug":"the-triumph-of-andrea-chenier-opera-de-lyon","status":"publish","type":"post","link":"https:\/\/www.annapirozzi.com\/en\/the-triumph-of-andrea-chenier-opera-de-lyon\/","title":{"rendered":"THE TRIUMPH OF ANDREA CH\u00c9NIER |\u00a0OPERA DE LYON"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>&#8220;<strong><u><strong>Anna Pirozzi<\/strong><\/u><\/strong> once again proves that beyond her astonishing vocal power, she is capable of unexpected refinements, of subtly colouring her singing line, of nuancing according to the dramatic situations: the character she portrays, sensitive, passionately in love, is the opposite of the thundering, univocal Maddalena to which she is sometimes reduced. Her \u2018 Mamma morta \u2019 was rightly widely acclaimed.&#8221; <\/em> &#8211; Premi\u00e8re loge <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.premiereloge-opera.com\/article\/compte-rendu\/concert\/2024\/10\/16\/andrea-chenier-lyon-critique-daniele-rustioni-riccardo-massi-anna-pirozzi-amartuvshin-enkhbat-sophie-pondjiclis\/\">read the full article<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Anna Pirozzi once again proves that beyond her astonishing vocal power, she is capable of unexpected refinements, of subtly colouring her singing line, of nuancing according to the dramatic situations: the character she portrays, sensitive, passionately in love, is the opposite of the thundering, univocal Maddalena to which she is sometimes reduced. Her \u2018 Mamma [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-7621","post","type-post","status-publish","format-standard","hentry","category-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE TRIUMPH OF ANDREA CH\u00c9NIER |\u00a0OPERA DE LYON - Anna Pirozzi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.annapirozzi.com\/en\/the-triumph-of-andrea-chenier-opera-de-lyon\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE TRIUMPH OF ANDREA CH\u00c9NIER |\u00a0OPERA DE LYON - Anna Pirozzi\" \/>\n<meta property=\"og:description\" content=\"&#8220;Anna Pirozzi once again proves that beyond her astonishing vocal power, she is capable of unexpected refinements, of subtly colouring her singing line, of nuancing according to the dramatic situations: the character she portrays, sensitive, passionately in love, is the opposite of the thundering, univocal Maddalena to which she is sometimes reduced. 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