“Anna Pirozzi is a magnificent Madeleine de Coigny, capable of superb outbursts: in addition to her vocal power, she combines refinement, nuances and colours that bend without apparent constraint to the portrait and intonations she wishes to portray. Her aria ‘La mamma morta’ was an enchanted interlude that drew a wave of enthusiastic – and well-deserved! – from the audience” – opera-online