“Anna Pirozzi once again proves that beyond her astonishing vocal power, she is capable of unexpected refinements, of subtly colouring her singing line, of nuancing according to the dramatic situations: the character she portrays, sensitive, passionately in love, is the opposite of the thundering, univocal Maddalena to which she is sometimes reduced. Her ‘ Mamma morta ’ was rightly widely acclaimed.” – Première loge